SCHENKER TOPICS

Compound Melody

Forte/Gilbert, 67-80

Salzer/Schachter, 125, 134, 153-60, 162, 360, 374

Coupling, Register Transfer

Forte/Gilbert, 167-68, 260-65, 123-25, 220-28

Salzer/Schachter, 160-69

Salzer, 127

FC, 51-52, 85

Kalib, 68-69

Cover Tones

FC, 107

Forte/Gilbert, 221, 223-26

Kalib, 218 Fifth and Third "Dividers"

Forte/Gilbert, 105, 203

Salzer/Schachter, 295

Jonas, 37

FC, 37

Initital Ascent

Forte/Gilbert, 149

Kalib, 215-17

FC, 45-46

Interruption

Forte/Gilbert, 201

Salzer, 145, 239

FC, 36

Salzer/Schachter, 295, 305

Kalib, 235ff

Linear Intervallic Patterns (LIPS)

Forte/Gilbert, 83-100

Linear Progressions

Jonas/Rothgeb, 53-67

FC, 43, 73

Kalib, 51-67

Obligatory Register

Kalib, 212-14

Forte/Gilbert, 169, 262

Overlapping

Forte/Gilbert, 221-23, 265-67

FC, 47-49, 83

Jonas, 87-90

Kalib, 151-59

Rhythmic/Metric Reduction

Forte/Gilbert, 10, 136

Beach, "Pedagogical View," 7-8, 21

Unfoldings

Forte/Gilbert, 159-63, 253-55 (types), 251-57 (small scale), 257-60 (large-scale)

Salzer/Schachter, 153-60, 162, 170, 172, 175, 183

FC, 50, 83

Kalib, 43-47

Untergreifen

FC, 49, 83

Kalib, 160-63

Voice Exchange

Salzer/Schachter, 140, 145, 169-71, 183, 425, 464

Jonas, 85

FC, 84

Forte/Gilbert, 110-19

Kalib, 164-68